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・ Sonata da camera
・ Sonata da chiesa
・ Sonata de otoño
・ Sonata for Clarinet (Cage)
・ Sonata for Clarinet and Piano (Bernstein)
・ Sonata for flute, oboe, clarinet and piano (Milhaud)
・ Sonata for flute, viola and harp (Debussy)
・ Sonata for guitar (Ginastera)
・ Sonata for Microtonal Piano (Ben Johnston)
・ Sonata for Solo Cello (Crumb)
・ Sonata for Solo Cello (Kodály)
・ Sonata for Solo Cello (Ligeti)
・ Sonata for Solo Violin
・ Sonata for Solo Violin (Bartók)
・ Sonata for Solo Violin (Prokofiev)
Sonata for Two Pianos (Goeyvaerts)
・ Sonata for Two Pianos (Stravinsky)
・ Sonata for Two Pianos (Tailleferre)
・ Sonata for Two Pianos and Percussion
・ Sonata for Two Pianos in D major (Mozart)
・ Sonata for Two Violins (Prokofiev)
・ Sonata for Violin and Cello (Ravel)
・ Sonata form
・ Sonata in B minor (Liszt)
・ Sonata in C major for keyboard four-hands, K. 19d
・ Sonata in C major for piano four-hands, D 812 (Schubert)
・ Sonata in G major (HWV 358)
・ Sonata in G major for two flutes and basso continuo, BWV 1039
・ Sonata Milušauskaitė
・ Sonata Mix Dwarf Cosmos


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Sonata for Two Pianos (Goeyvaerts) : ウィキペディア英語版
Sonata for Two Pianos (Goeyvaerts)
Sonata for Two Pianos (1950–51), also called simply Opus 1 or Nummer 1, is a chamber-music work by Belgian composer Karel Goeyvaerts, and a seminal work in the early history of European serialism.

==History==
Goeyvaerts composed the Sonata during the winter of 1950–51, and brought the score with him when he attended the Darmstädter Ferienkurse in the Summer of 1951. There he met Karlheinz Stockhausen, five years his junior and at the time and a student in his last year at the Cologne Conservatory. Goeyvaert's and Stockhausen's analysis and performance of the second movement of the Sonata in Theodor W. Adorno's composition seminar had considerable significance for those young composers eager to develop serial thinking. The influence of the Sonata is also evident in Stockhausen's early serial compositions , particularly ''Kreuzspiel'', which Stockhausen began composing on his way home from Darmstadt and finished on 4 November 1951 . Adorno, however, did not appreciate the qualities of the work's second movement, because he could not find any motivic coherence in it. When Goeyvaerts found it difficult to defend himself in German (a language in which he was not fluent), Stockhausen stood up for his friend, telling Adorno, "you are looking for a chicken in an abstract painting" .
Although originally titled Sonata for Two Pianos, Goeyvaerts later sought to accentuate the innovative intent of the work by referring to it simply as ''Opus 1'' or ''Nummer 1'' .

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